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	<title>Comments for Classical Guitar Review</title>
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	<link>http://www.classicalguitarreview.com</link>
	<description>The online resource for classical guitarists</description>
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		<title>Comment on The Best Classical Guitar? by cscdscsc</title>
		<link>http://www.classicalguitarreview.com/the-best-classical-guitar/385/comment-page-1/#comment-722</link>
		<dc:creator>cscdscsc</dc:creator>
		<pubDate>Sat, 04 Feb 2012 10:30:18 +0000</pubDate>
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		<description>fuck you</description>
		<content:encoded><![CDATA[<p>fuck you</p>
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		<title>Comment on The Best Classical Guitar? by Freddy</title>
		<link>http://www.classicalguitarreview.com/the-best-classical-guitar/385/comment-page-1/#comment-721</link>
		<dc:creator>Freddy</dc:creator>
		<pubDate>Fri, 03 Feb 2012 16:42:49 +0000</pubDate>
		<guid isPermaLink="false">http://www.classicalguitarreview.com/?p=385#comment-721</guid>
		<description>Oh and just to say it very truthfully: you can get world-class guitars for 8000 US Dollars, and often even lower prices than that.
But for that you have to look at instruments from luthiers who are not all of the following 3 points:
*well-established
*well-known
*very-in-demand</description>
		<content:encoded><![CDATA[<p>Oh and just to say it very truthfully: you can get world-class guitars for 8000 US Dollars, and often even lower prices than that.<br />
But for that you have to look at instruments from luthiers who are not all of the following 3 points:<br />
*well-established<br />
*well-known<br />
*very-in-demand</p>
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		<title>Comment on The Best Classical Guitar? by Freddy</title>
		<link>http://www.classicalguitarreview.com/the-best-classical-guitar/385/comment-page-1/#comment-720</link>
		<dc:creator>Freddy</dc:creator>
		<pubDate>Fri, 03 Feb 2012 16:37:06 +0000</pubDate>
		<guid isPermaLink="false">http://www.classicalguitarreview.com/?p=385#comment-720</guid>
		<description>That&#039;s a rediculous comment that you make about other instruments...
Because in reality it&#039;s exactly as with guitars. You can get great violins for around 10K.

But if you by a violin from a well-established, well-known and very-in-demand luthier... of course they will have very high prices. Same for from guitarmakers that are well-established, well-known and very-in-demand.

The bottom line: your statement &quot;A crappy fiddle might be 10-20K&quot; is just a plain unfounded, shortsighted, flippant comment.</description>
		<content:encoded><![CDATA[<p>That&#8217;s a rediculous comment that you make about other instruments&#8230;<br />
Because in reality it&#8217;s exactly as with guitars. You can get great violins for around 10K.</p>
<p>But if you by a violin from a well-established, well-known and very-in-demand luthier&#8230; of course they will have very high prices. Same for from guitarmakers that are well-established, well-known and very-in-demand.</p>
<p>The bottom line: your statement &#8220;A crappy fiddle might be 10-20K&#8221; is just a plain unfounded, shortsighted, flippant comment.</p>
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		<title>Comment on The Best Classical Guitar? by Tom</title>
		<link>http://www.classicalguitarreview.com/the-best-classical-guitar/385/comment-page-1/#comment-719</link>
		<dc:creator>Tom</dc:creator>
		<pubDate>Sat, 28 Jan 2012 13:43:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.classicalguitarreview.com/?p=385#comment-719</guid>
		<description>For good players... only guitars that are &quot;Made in Germany&quot; have the highest standard of quality in tone, volume and playability that will meet your highest needs, in my opinion.
Luthiers such as Fritz Ober, Christoph Sembdner, Dieter Müller, Hauser, Armin &amp; Mario Gropp, etc.

As was stated previously: Segovia also favoured German guitars and called his German Hauser: &quot;The Guitar of our Epoch&quot;.</description>
		<content:encoded><![CDATA[<p>For good players&#8230; only guitars that are &#8220;Made in Germany&#8221; have the highest standard of quality in tone, volume and playability that will meet your highest needs, in my opinion.<br />
Luthiers such as Fritz Ober, Christoph Sembdner, Dieter Müller, Hauser, Armin &amp; Mario Gropp, etc.</p>
<p>As was stated previously: Segovia also favoured German guitars and called his German Hauser: &#8220;The Guitar of our Epoch&#8221;.</p>
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		<title>Comment on The Best Classical Guitar? by Thu Le</title>
		<link>http://www.classicalguitarreview.com/the-best-classical-guitar/385/comment-page-1/#comment-718</link>
		<dc:creator>Thu Le</dc:creator>
		<pubDate>Fri, 27 Jan 2012 22:04:15 +0000</pubDate>
		<guid isPermaLink="false">http://www.classicalguitarreview.com/?p=385#comment-718</guid>
		<description>I know you all talk about very high-end and expensive guitar, but to a newbie like me, some idea about mid-range? I personally prefer Cordoba guitar, with price range from $300-$1000. With $400 i bought a C7 Cordoba and it&#039;s solid cedar top with laminate Indian rosewood back and side. And the sound to me is very good and the guitar is responsive. I came from Viet Nam and I tried some hand-made vietnamese guitar, but i have to say the quality of those guitar are not very consistent . If lucky you can find some for cheap enough price and good enough quality. But after 1-2 year the sound goes bad. That&#039;s my experience :)</description>
		<content:encoded><![CDATA[<p>I know you all talk about very high-end and expensive guitar, but to a newbie like me, some idea about mid-range? I personally prefer Cordoba guitar, with price range from $300-$1000. With $400 i bought a C7 Cordoba and it&#8217;s solid cedar top with laminate Indian rosewood back and side. And the sound to me is very good and the guitar is responsive. I came from Viet Nam and I tried some hand-made vietnamese guitar, but i have to say the quality of those guitar are not very consistent . If lucky you can find some for cheap enough price and good enough quality. But after 1-2 year the sound goes bad. That&#8217;s my experience <img src='http://www.classicalguitarreview.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
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		<title>Comment on Studying Classical Guitar at Univeristy in the United States &#8211; Is it worth it? by Howard Wallach</title>
		<link>http://www.classicalguitarreview.com/studying-classical-guitar-at-univeristy-in-the-united-states-is-it-worth-it/1361/comment-page-1/#comment-715</link>
		<dc:creator>Howard Wallach</dc:creator>
		<pubDate>Fri, 20 Jan 2012 15:25:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.classicalguitarreview.com/?p=1361#comment-715</guid>
		<description>It is the desire of colleges, universities and conservatories to make money which causes them to accept great numbers of students they know will never have a career in guitar, or in music in general. A great deal of American &quot;higher education&quot; is a scam intended to keep the teachers and administrators gainfully employed, and they do so to the detriment of many an unaware prospective student of guitar,
or art, or acting, etc...</description>
		<content:encoded><![CDATA[<p>It is the desire of colleges, universities and conservatories to make money which causes them to accept great numbers of students they know will never have a career in guitar, or in music in general. A great deal of American &#8220;higher education&#8221; is a scam intended to keep the teachers and administrators gainfully employed, and they do so to the detriment of many an unaware prospective student of guitar,<br />
or art, or acting, etc&#8230;</p>
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		<title>Comment on The Best Classical Guitar? by John</title>
		<link>http://www.classicalguitarreview.com/the-best-classical-guitar/385/comment-page-1/#comment-714</link>
		<dc:creator>John</dc:creator>
		<pubDate>Thu, 19 Jan 2012 18:06:44 +0000</pubDate>
		<guid isPermaLink="false">http://www.classicalguitarreview.com/?p=385#comment-714</guid>
		<description>The angst on the expense of a quality classical guitar has  often ammused me.  For the record - I would also suggest a good look at the Australian makers - though their more modern, clear voices tend to turn some off.  On to the price point - Classical Guitarists are still struggling to compete as classical musicians (ie. bad readers, bad at playing with other people, etc.).  I&#039;ll add one other slighted perspective - the cost of our instruments.  
Oh sure, if you buy a Ruck, Hauser, or Fleta, etc.  - especially if somebody famous touched it - you might break $50K.  But you can as a rule - outside of flavors of taste, get a truly world class instrument for around $10K.  Compare this with a violiin.  A crappy fiddle might be 10-20K and then a modest bow will run another 15K.  World respected violins routinely break six figures - really exceptional instruments are hundreds of years old and in the millions.  Pianos are also very expensive.  So relative other classical instruments of professional grade, guitarist get out cheap.</description>
		<content:encoded><![CDATA[<p>The angst on the expense of a quality classical guitar has  often ammused me.  For the record &#8211; I would also suggest a good look at the Australian makers &#8211; though their more modern, clear voices tend to turn some off.  On to the price point &#8211; Classical Guitarists are still struggling to compete as classical musicians (ie. bad readers, bad at playing with other people, etc.).  I&#8217;ll add one other slighted perspective &#8211; the cost of our instruments.<br />
Oh sure, if you buy a Ruck, Hauser, or Fleta, etc.  &#8211; especially if somebody famous touched it &#8211; you might break $50K.  But you can as a rule &#8211; outside of flavors of taste, get a truly world class instrument for around $10K.  Compare this with a violiin.  A crappy fiddle might be 10-20K and then a modest bow will run another 15K.  World respected violins routinely break six figures &#8211; really exceptional instruments are hundreds of years old and in the millions.  Pianos are also very expensive.  So relative other classical instruments of professional grade, guitarist get out cheap.</p>
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		<title>Comment on Interview with GFA winner Johannes Möller by Will</title>
		<link>http://www.classicalguitarreview.com/interview-with-gfa-winner-johannes-moller/1148/comment-page-1/#comment-712</link>
		<dc:creator>Will</dc:creator>
		<pubDate>Wed, 18 Jan 2012 16:23:51 +0000</pubDate>
		<guid isPermaLink="false">http://www.classicalguitarreview.com/?p=1148#comment-712</guid>
		<description>Fantastic interview.
Simon... please do an interview with the Beijing Guitar Duo. They are out of this world ... on stellar magnitudes. ;)</description>
		<content:encoded><![CDATA[<p>Fantastic interview.<br />
Simon&#8230; please do an interview with the Beijing Guitar Duo. They are out of this world &#8230; on stellar magnitudes. <img src='http://www.classicalguitarreview.com/wp-includes/images/smilies/icon_wink.gif' alt=';)' class='wp-smiley' /> </p>
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		<title>Comment on The Virtuoso Guitarist &#8211; By Matt Palmer by Will</title>
		<link>http://www.classicalguitarreview.com/the-virtuoso-guitarist-by-matt-palmer/1549/comment-page-1/#comment-711</link>
		<dc:creator>Will</dc:creator>
		<pubDate>Wed, 18 Jan 2012 16:21:05 +0000</pubDate>
		<guid isPermaLink="false">http://www.classicalguitarreview.com/?p=1549#comment-711</guid>
		<description>By the way... Jake was simply addressing his enthusiasm for Matt&#039;s interpretation of the Etude 2.
Why do you get so ruffed up by his simple comment anyway?</description>
		<content:encoded><![CDATA[<p>By the way&#8230; Jake was simply addressing his enthusiasm for Matt&#8217;s interpretation of the Etude 2.<br />
Why do you get so ruffed up by his simple comment anyway?</p>
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		<title>Comment on The Virtuoso Guitarist &#8211; By Matt Palmer by Will</title>
		<link>http://www.classicalguitarreview.com/the-virtuoso-guitarist-by-matt-palmer/1549/comment-page-1/#comment-710</link>
		<dc:creator>Will</dc:creator>
		<pubDate>Wed, 18 Jan 2012 16:19:04 +0000</pubDate>
		<guid isPermaLink="false">http://www.classicalguitarreview.com/?p=1549#comment-710</guid>
		<description>I think Jake has a right to voice his opinion.

Who are you to go around saying that the Etudes cannot be improved? I think the last word on the Etudes has not been said. I for one look forward to the fine interpretations from people who can finally handle technique at a sufficiently high level ... think Matt Palmer, Beijing Guitar Duo, etc.</description>
		<content:encoded><![CDATA[<p>I think Jake has a right to voice his opinion.</p>
<p>Who are you to go around saying that the Etudes cannot be improved? I think the last word on the Etudes has not been said. I for one look forward to the fine interpretations from people who can finally handle technique at a sufficiently high level &#8230; think Matt Palmer, Beijing Guitar Duo, etc.</p>
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